20,974 Royalty-Free Audio Tracks for "Audio Files Of Piano Sonata No. 15 (beethoven)"

Himno Nacional Mexicano en Mixteco (Estrofa I y X)

Like Seamus performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 3 from Blue Shadows (2010).

Composer: César Cui (1835-1918) Title: Gloria Patri and Wedding Recessional from the opera "The Saracen" Printed source: Piano-vocal score published in Moscow by P. Jurgenson, 1899. This is a rudimentary MIDI arrangement and Ogg recording therefrom made by Mllefifi, Nov. 29, 2005 The music itself is in the public domain. Mllefifi is making this audio file available to promote the composer and for whatever other use can be made of it, besides linking it to the article "The Saracen (opera)".

Product of Fear performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 10 from Blue Shadows (2010).

Three European Carols I. "Fum, Fum, Fum - Spanish" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Holly and Ivy (1993). Recorded in 1993 at Chrysler Hall in Norfolk, Virginia.[1][2][3]

The Tale of the Seashell, performed by Sousa's Band with cornet solo by Walter B. Rogers. Number 2470 on the Victor Monarch label. Ten-inch disc with matrix B-314.

Wrong Advices performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 1 from Blue Shadows (2010).

Sansoen Sueapa (Tiger Corps Hymn) - Fine Art Department Orchestra ไทย: สรรเสริญเสือป่า (ทางบรรเลง) บรรเลงเพลงโดย วงดุริยางค์สากล สำนักการสังคีต กรมศิลปากร

Scarecrow performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 7 from Blue Shadows (2010).

Kuri performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 11 from Blue Shadows (2010).

Ave Pancakes performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 6 from Blue Shadows (2010).

Banda De Policia De Mexico - Himno Nacional Mexicano 1928

Gesu Bambino performed by the Concert Band of the United States Air Force Band of Mid-America. Track 3 from A Musical Christmas (2007).

Shrinking Violet performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 9 from Blue Shadows (2010).

Alberti bass in the opening of Clementi's Sonatina in G, Op. 36, No. 2.

Schubert Fantasia in F minor bars 98-106

A song by Mykola Lysenko

Debussy, "Dr Gradus" from Childrens Corner, bars 36-43

Mozart; Piano Concerto No. 27, 2. Larghetto in E Flat Major

Butterfly, remastered.

Mozart; Piano Concerto no. 27, 3. Allegro

Piano concerto in a minor, op. 16 - iii. allegro moderato molto.

pictures at an exhibition - ix. la cabane sur des pattes de poule - allegro con brio, feroce - andante mosso - allegro molto

1920 recording of Bach's Air for G string (Air on the G string) (BWV 1068, D major. arr). Violin solo by Joel Belov with piano accompaniment by Robert Gayler.

Aaduthu Paaduthu pani chestunte audio song from Todi Kodallu

L'Apprenti sorcier sound sample from Sorcerer's Apprentice; organ transcription by Josh Perschbacher

Sequence "Victimae Paschali Laudes", traditionally attributed to Wipo of Burgundy. For text, see Victimae Paschali Laudes. For an image of a score (not the one I performed from) see this gif. Recorded using GarageBand with some reverb added. Normalised using Audacity. It is a single continuous take. Time: 1:49.

Danse Profane, L 103, pt. 2, performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig, conducting, MSgt Karen Grimsey, harp soloist on Aug. 14, 2010, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Virginia. Claude Debussy. Danse Profane, L 103, pt. 2, interprétée par l'Orchestre de chambre des Marines des États-Unis avec le Major Jason K. Fettig, chef d'orchestre, MSgt Karen Grimsey, harpiste soliste, le 14 août 2010, au Rachel M. Schlesinger Concert Hall and Arts Center du Northern Virginia Community College à Alexandria, Virginie.

O frondens virga by Hildegard of Bingen, performed live. From Ordo Virtutum O frondens virga, In tua nobilitate stans, sicut aurora procedit. Nunc gaude et laetare et nos debiles dignare a mala consuetudine liberare, atque manum tuam porrige ad erigendum nos.

A chantar m'er de so qu'eu no volria, a 12th century Occitan language song by Comtessa de Dia. It is the only surviving music by a woman troubadour. Català: La seva cançó "A chantar m'er de so qu'eu no volria", és l'única peça trobadoresca d'autoria femenina la música de la qual sobreviu intacta. "A chantar m'er de so qu'eu no volria", ein Lied des 12. Jahrhunderts in okzitanischer Sprache von der Comtessa de Dia, ist die einzige überlieferte Melodie eines weiblichen Trobadors. "A chantar m'er de so qu'eu no volria", la única canción existente por una trovadora occitania que ha llegado hasta nuestros días con música, por Comtessa de Dia. Galego: A súa canción "A chantar m'er de so qu'eu no volria", é a única peza trobadoresca dunha muller que chegou até nos con a música que acompañaba. Македонски: „Морам да пејам за она што не сакам“ (A chantar m'er de so qu'eu no volria) - трубадурска песна на окситански јазик од XII век. Автор е грофицата Беатриса де Дија. Ова е единствената зачувана песна на жена-трубадур. Occitan : Sa cançon "A chantar m'er de so qu'eu no volria", es la sola peça trobadoresca d'una femna que se ne siá servada intacta la musica. Português: "A chantar m'er de so qu'eu no volria" por Comtessa de Dia, a única canção por uma trovadora, que sobrevive com música. "A chantar m'er de so qu'eu no volria" av Grevinnan de Dia är den enda sång skriven av en kvinnliga trobadourerna som idag finns bevarad med både text och musik.

Danse sacrée, L 103, pt. 1, written by w:Claude Debussy, performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig, conducting, MSgt Karen Grimsey, harp soloist on Aug. 14, 2010, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Virginia. Македонски: Свештен танец (L 103), I дел од Клод Дебиси. Deux Danses pour harpe et orchestre, część 1. Danse sacrée L. 103/1 Claude’a Debussy’ego w wykonaniu Orkiestry Kameralnej Korpusu Piechoty Morskiej Stanów Zjednoczonych pod dyrekcją mjra Jasona K. Fettiga i st. sierż. Karen Grimsey solo na harfie. Claude Debussy. Danse sacrée, L 103, pt. 1, interprétée par l'Orchestre de chambre des Marines des États-Unis avec le Major Jason K. Fettig, chef d'orchestre, MSgt Karen Grimsey, harpe soliste le 14 août 2010, au Rachel M. Schlesinger Concert Hall and Arts Center du Northern Virginia Community College à Alexandria, Virginie.

Awadagin Pratt performs the first and fourth movements of Franz Schubert's piano four hand Fantasia in F minor with student pianist Lucy Hattemer at the White House Classical Music Student Workshop Concert. In the 1 hour session this is from about 21:20 - 29:04.

Canciones De Las Luminosas Trincheras De Combate

Himno Nacional de Uruguay National Anthem of Uruguay Национальный гимн Уругвая

Himno de Uruguay

Landeshymne des österreichischen Bundeslands Vorarlberg

Steirische Landeshymne

Folktune Norsk bokmål: Folkevise

فارسی: سرود رسمی حزب سومکاAnthem of SUMKA

Himno de Cajamarca

Label: Disque "Gramophone" Cat. no.: DB 3703 Order number: 2EA 7144 Matrix/StamperID: 2EA 7144I / M6-97965 1st release date: 1939 1st recording date: 23 November 1938 Place of recording: EMI Studio No. 3, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Antonio Vivaldi (1678-1741) Music arranger(s): Johann Sebastian Bach (previously attributed to Wilhelm Friedemann Bach)[1] Performer(s): Piano: Alexander Brailowsky (1896-1976) Vocal range: instrumental Title/Work: Concerto in D minor (original work: Concerto in D minor from L'Estro Armonico, Op. 3 No. 11) (published 1711) Content: Part 1: Maestoso Genre(s): Organ work (concerto) Comments: RCM and ELP

Эй, ухнем! - Фёдор Шаляпин

National anthem of Malaysia

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 2. Adagio ma non troppo (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 3. Finale (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.

viio7 as dominant substitute.

MIDI file: "Northfield" (1800) by Jeremiah Ingalls (1764 – 1838)

Dufay - Missa cantus firmus, derived from Se la face ay pale.